First man | feet | Lady | feet | Second man | feet | Notes | Positions | |
---|---|---|---|---|---|---|---|---|
1 | s s | LR | Slightly towards the second man | odd | ||||
2 | p p p p | LRLR | Towards the lady - arrive right beside her | odd | ||||
3 | t ½r | LR | Trapassino back to his original place | Back to triangle at the end | ||||
4 | d | L | Turning over the left shoulder | |||||
5 | d | R | Turning over the right shoulder | |||||
6 | s s | LR | s s | LR | s s | LR | Around the circle one way | |
7 | p p p p | LRLR | p p p p | LRLR | p p p p | LRLR | ||
8 | s s | LR | s s | LR | s s | LR | Back the other way | |
9 | p p p p | LRLR | p p p p | LRLR | p p p p | LRLR | ||
10 | t t | LR | t t | LR | t t | LR | Treccia of 8 trapassini, each returning to his or her own place (so a full hay) | |
11 | t t | LR | t t | LR | t t | LR | ||
12 | t t | LR | t t | LR | t t | LR | ||
13 | t t | LR | t t | LR | t t | LR | ||
14 | s s | LR | Slightly towards the second man | odd | ||||
15 | p p p p | LRLR | Towards the lady - but not quite to right beside her - just near | odd | ||||
16 | R | R | R | R | ||||
17 | d | R | Turning, and returning to his place | Back to triangle |
First man | feet | Lady | feet | Second man | feet | Notes | Positions | |
---|---|---|---|---|---|---|---|---|
1 | s s | LR | Just as the man did in measures 1-5 of figure 1 | odd | ||||
2 | p p p p | LRLR | odd | |||||
3 | t ½r | LR | Back to triangle at the end | |||||
4 | d | L | ||||||
5 | d | R | ||||||
6 | s s | LR | s s | LR | Take right hands, and turn 360° | |||
7 | p p p p | LRLR | p p p p | LRLR | ||||
8 | s s | LR | s s | LR | Take left hands, and turn 360° | |||
9 | p p p p | LRLR | p p p p | LRLR | ||||
10 | t t | LR | t t | LR | t t | LR | "Turning around" - circling one direction | |
11 | t P | LR | t P | LR | t P | LR | ||
12 | t t | LR | t t | LR | t t | LR | Circling back the other direction | |
13 | t P | LR | t P | LR | t P | LR | ||
14 | s s | LR | Slightly towards the first man | odd | ||||
15 | p p p p | LRLR | Towards the second man - but not quite to right beside him - just near | odd | ||||
16 | R | R | R | R | It doesn't say for the man to do a reverenza here, but it seems clear | |||
17 | d | R | Turning, and returning to her place | Back to triangle |
First man | feet | Lady | feet | Second man | feet | Notes | Positions | |
---|---|---|---|---|---|---|---|---|
1 | s s | LR | Just as the man did in measures 1-5 of figure 1 | odd | ||||
2 | p p p p | LRLR | odd | |||||
3 | t ½r | LR | Back to triangle at the end | |||||
4 | d | L | ||||||
5 | d | R | ||||||
6 | s s | LR | s s | LR | s s | LR | Around the circle one way | |
7 | p p p p | LRLR | p p p p | LRLR | p p p p | LRLR | ||
8 | s s | LR | s s | LR | s s | LR | Back the other way | |
9 | p p p p | LRLR | p p p p | LRLR | p p p p | LRLR | ||
10 | t t | LR | t t | LR | Switch places, holding right hands | |||
11 | t t | LR | t t | LR | t t | LR | Treccia, starting with the first man (now in the last position) giving his left hand to the lady, and, in the end, everyone returning to their own place - a half hay, probably, since two trapassini are appropriate for just switching places at first | |
12 | t t | LR | t t | LR | t t | LR | ||
13 | t P | LR | t P | LR | t P | LR | ||
14 | s s | LR | No explicit instructions htere other than the steps, and the reverence by the first man isn't stated, merely assumed by us due to parallelism | odd | ||||
15 | p p p p | LRLR | odd | |||||
16 | R | R | R | R | ||||
17 | d | R | Back to triangle |
First man | feet | Lady | feet | Second man | feet | Notes | Positions | |
---|---|---|---|---|---|---|---|---|
1 | Px | L | Px | L | Px | L | "this they always do in a triangle"- we think circling. Note that these passi intraverso may be odd - it says, in the ripresaof which they are partially comprised, to do two of them - so a saltarello tedesco, but with a back and forth at the end, not just one way (cha-cha?) In the end, they should all be back to place, so a quarter of the way around the circle with each passo intraverso | triangle |
2 | Px | L | Px | L | Px | L | ||
3 | Px | L | Px | L | Px | L | ||
4 | Px | L | Px | L | Px | L | ||
5 | t t | LR | t t | LR | Taking right hands, and turn 360° | |||
6 | t P | LR | t P | LR | ||||
7 | t t | LR | t t | LR | Taking left hands, and turn 360° | |||
8 | t P | LR | t P | LR | ||||
9 | r | L | r | L | r | L | "rotating in a triangle" | |
10 | r | R | r | R | r | R | ||
11 | d | L | d | L | d | L | Turning over their own left shoulder | |
12 | P P | RL | P P | RL | Going to join the lady | line |
© 2024 Marc Collins, Ontario Renaissance Dance Guild
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