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lo Dimostra
by Giovaninno
for two gentlemen and a lady in a triangle
Quick memory aid
figure 1: man 1 start solo, circle both ways with steps, full hay with the traps, man 1 finish solo
figure 2: lady start solo, circles with right then left men with steps, full circle both ways with the traps, lady finish solo
figure 3: man 2 start solo, circle both ways with steps, slow half-hay, starting with men switching, with the traps, man 2 finish solo
coda: 4 passi intraverso, lady circles with right then with left men, riprese left and right, double turning in place, men join lady

Glossary

Translation of the original text

Figure 1
  First manfeet Ladyfeet Second manfeet NotesPositions
1s s LR     Slightly towards the second manodd
2p p p p LRLR     Towards the lady - arrive right beside herodd
3t ½rLR     Trapassino back to his original placeBack to triangle at the end
4d L     Turning over the left shoulder 
5d R     Turning over the right shoulder 
6s sLRs sLRs sLR Around the circle one way 
7p p p pLRLRp p p pLRLRp p p pLRLR 
8s sLRs sLRs sLR Back the other way 
9p p p pLRLRp p p pLRLRp p p pLRLR 
10t tLRt tLRt tLR Treccia of 8 trapassini, each returning to his or her own place (so a full hay) 
11t tLRt tLRt tLR 
12t tLRt tLRt tLR 
13t tLRt tLRt tLR 
14s sLR     Slightly towards the second manodd
15p p p p LRLR     Towards the lady - but not quite to right beside her - just nearodd
16RRRR     
17dR     Turning, and returning to his placeBack to triangle
Figure 2
  First manfeet Ladyfeet Second manfeet NotesPositions
1  s s LR   Just as the man did in measures 1-5 of figure 1odd
2  p p p p LRLR   odd
3  t ½rLR   Back to triangle at the end
4  d L    
5  d R    
6  s sLRs sLR Take right hands, and turn 360° 
7  p p p pLRLRp p p pLRLR 
8s sLRs sLR   Take left hands, and turn 360° 
9p p p pLRLRp p p pLRLR   
10t tLRt tLRt tLR "Turning around" - circling one direction 
11t PLRt PLRt PLR 
12t tLRt tLRt tLR Circling back the other direction 
13t PLRt PLRt PLR 
14  s sLR   Slightly towards the first manodd
15  p p p p LRLR   Towards the second man - but not quite to right beside him - just nearodd
16RRRR   It doesn't say for the man to do a reverenza here, but it seems clear 
17  dR   Turning, and returning to her placeBack to triangle
Figure 3
  First manfeet Ladyfeet Second manfeet NotesPositions
1    s s LR Just as the man did in measures 1-5 of figure 1odd
2    p p p p LRLRodd
3    t ½rLRBack to triangle at the end
4    d L 
5    d R 
6s sLRs sLRs sLR Around the circle one way 
7p p p pLRLRp p p pLRLRp p p pLRLR 
8s sLRs sLRs sLR Back the other way 
9p p p pLRLRp p p pLRLRp p p pLRLR 
10t tLR  t tLR Switch places, holding right hands 
11t tLRt tLRt tLR Treccia, starting with the first man (now in the last position) giving his left hand to the lady, and, in the end, everyone returning to their own place - a half hay, probably, since two trapassini are appropriate for just switching places at first 
12t tLRt tLRt tLR 
13t PLRt PLRt PLR 
14    s sLR No explicit instructions htere other than the steps, and the reverence by the first man isn't stated, merely assumed by us due to parallelismodd
15    p p p p LRLRodd
16RR  RR 
17    dRBack to triangle
Figure 4 (coda)
  First manfeet Ladyfeet Second manfeet NotesPositions
1PxLPxLPxL "this they always do in a triangle"- we think circling.
Note that these passi intraverso may be odd - it says, in the ripresaof which they are partially comprised, to do two of them - so a saltarello tedesco, but with a back and forth at the end, not just one way (cha-cha?)
In the end, they should all be back to place, so a quarter of the way around the circle with each passo intraverso
triangle
2PxLPxLPxL 
3PxLPxLPxL 
4PxLPxLPxL 
5  t tLRt tLR Taking right hands, and turn 360° 
6  t PLRt PLR 
7t tLRt tLR   Taking left hands, and turn 360° 
8t PLRt PLR   
9rLrLrL "rotating in a triangle" 
10rRrRrR 
11dLdLdL Turning over their own left shoulder 
12P PRL  P PRL Going to join the ladyline
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This file last modified: 2015/02/05
The current date is: 2024/05/04 18:44

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